Genevieve von Petzinger kőkori szövegeinek magyar olvasata
Introduction
In this paper I publish two stone age hieroglyphic texts of Geneviève von Petzinger adding some parallel texts.
Geneviève von Petzinger made fruitful research works in world grottos. Following this we arrived at similar and complementary results: she has established an opinion on the African origin of the signs based on the similarity in the grottos of various continents. I have arrived with the help of probability computation carried out with Nemetz Tibor at my desk that the sign system has a stone age origin and in the Eden territory near Ararat Mountain a more developed sign system already existed. Both research works brought light to the common origin of the stone age world. The simpler sign system stems from Africa, while the more developed one stems from Middle East. Thanks to this finding we could make a twinkling of an eye on the formation of writing, and on the first steps of the development of the use of the sign system.
The method used
Following Geneviève von Petzinger this sign system is identical in all continents because it was born in Africa and came out from it. Indeed, this could happen. Later on this African originated sign system further developed and became similar to the Sicul writing that is known today. Geneviève von Petzinger thinks that the meaning of the stone age signs has been already forgotten. However, more than half of the signs found by her are Hungarian identical and the knowledge of the Hungarian signs helps the understanding of the stone age texts. Based on the probability computation with the help of Nemetz Tibor we can say that the similarity of the signs is due to the genetic relationship between the signs.
The recognition of the relationship between the sign systems brings theoretical arguments, while the knowledge of the Sicul writing brings practical possibility on the reading of the stone age texts. The research work carried out has shown that the readings form a logical system, i.e. we have understood the stone age texts.
In the 90 years we have reconstructed the acrophony of Sicul letters and we have succeeded in defining some 40 original word signs of hieroglyphs (old religious word signs). For the reconstruction we have used the sound value of the Sicul signs, the meaning of similar signs in word signs writings, their sound forms and their picture contents, as well as their language and old religious knowledges.
The results of this work were published in Magyar hieroglif irás (Hungarian hieroglyph writing) in 2017. In the typical hieroglyphic texts they were not using more than 40-50 word signs. Indeed, their purpose was only to fix a few old religious requests and did not want to write a novel, a tax declaration or a love letter. The readings of the reconstructed word signs texts testify a unique heritage of texts, forming a self-sustained semantic system.
We could approach better the meaning of hieroglyphic texts, but less their sound forms. In order to control the sound form, we have less possibilities. For this the research in the Sumerian and Chinese writings as well as in the sign system of American Indians could give some help and indeed it gave some help.
Two stone age texts of Geneviève von Petzinger
The two stone age writing documents shown below were published by Geneviève von Petzinger, she added that her purpose was to solve the meaning of the stone age signs. I would like to contribute to this by reading two texts and by showing further already read texts. This reading was carried out with the help of Hungarian hieroglyph writing, that is still used nowadays, and which was a hieroglyphic antecedent (using word signs of old religious link) of the alphabetic Sicul writing. The reading resulted in Hungarian or relative to Hungarian sentences.
Figure 1. Spain, El Castillo, symmetrical stone age sentence painted on the wall of a grotto, the reading of the first half : Nagy ég ùr (Great heaven sir), below are found the corresponding Sicul « n », « g » letters and the popular szár (növényi szár, úr "stalk sir") hieroglyph.
The sentence of Figure 1 is not entirely symmetrical, but we can feel the intention to create symmetry. The symmetrical sentences were used in various old age hieroglyphic writings (Egyptian, Scythian, Luwian) in order to underline the importance of the old religious meaning. Among the Scythian-Hun-Hungarian writing documents several symmetrical writings can be found.
The signs have perhaps different colors, because they could emphasize this way that the middle szár (növényi szár, úr "stalk, sir") sign is the name of God. This could reinforce the meaning of the read sentence.
The first half of the sentence of Figure 1 (from left to right) is composed of word signs nagy, ég és szár ("great", "heaven" and "stalk, sir"). These give in today’s Hungarian the sentence Nagyságos égi úr (Majestical sir of heaven). The Hun-Avar-Hungarian hieroglyphic texts are composed of the repetition of old religious slogans. Among them can be found Nagy ég and Ég ura ("great heaven" and "sir of heaven") sentence. In the case of the hieroglyph nagy (great) we observe some formal change. The stone age sign represented originally the cupola of sky (Figure 1). They are also similar in the Scythian-Hun-Avar nagy (great) hieroglyph. However, the Sicul « n » letter has turned to vertical due to the runes technology, because in the runes only vertical and oblique lines can be made.
The second half of the symmetrical sentence is composed of two forms of ég (heaven) word sign, and on the reading we still have to think about. It would be too easy to suppose that in the last sign they put by chance the vertical line in the middle and this way the reading could become finalized and the problem is sold. Of course, this vertical line exists and the reading has to take into account this existing line.
Figure 2a. France, Les Eyzies-de-Tayac, 16 000 years old piece of set of teeth with signs, the reading is : Ragyogó Bél szár, in today’s Hungarian: Ragyogó Bél ùr (Brilliant Bél sir)
Figure 2b. Symmetrical Scythian sentence (Pazirik), the reading is: Nagyon nagy Lyukó (Very big Lyukó)
Figure 2c. On the back side of the Avar belt of Zamárdi, the reading from right to left : Ős, ragyogó ügy szár, nagyon nagy szár – in today’s Hungarian: Ősi, ragyogó folyó úr, nagyon nagy úr (Old, brilliant river sir, very great sir), in the left corner of the last line the three signs is the symmetrical representation of very great sir
In Figure 2a the text on the tooth could be also symmetrical. The X form sign represents the four saint rivers coming out from a source in Eden, the holly center of the world, the region of Ararat Mountain. The vertical straight lines represent the trunk of tree going as far as the sky, identical with God. If the text is symmetrical as shown with the three Sicul signs below Figure 2a, then the reading of the text (starting from the middle and going possibly in both directions): Bél szár, in today’s Hungarian Bél úr (Sir Bél). Bél is the name of the Son of God. The Bél úr (Sir Bél) sentence can be repeatedly found among hieroglyphic texts, for example on the ring of Tiszabezdéd from the period of home-coming. The similar symmetrical sentence composition can be also found by the Scythians (Figure 2b). This is thus a possible reading.
Figure 2d. Ring founded in Tiszabezdéd Harangláb from the home-coming period, on the ring Bél szár – today’s Hungarian Bél ùr (Sir Bél), on the seal plate Dana « isten » (Dana god) signs can be read
Due to the long time difference and to the eventuality of the technique used to wright the text and also to the possible turning of the tooth we could count with further possible readings.
The two external signs of Figure 2a are not parallel and we have the right to consider them different. The oblique line in the Sicul writing is the letter « r », and in the Hungarian hieroglyphic writing the sign of Ragyogj, ragyog, ragyogtál (be brilliant, is brilliant, you were brilliant). In this case the reading is Ragyogó Bél szár, in today’s Hungarian Ragyogó Bél úr (Brilliant sir Bél). This is the most probable reading.
If the central sign of Figure 2a is not X, but a cross, the reading is Ragyogó Dana szár, in today’s Hungarian Ragyogó Dana úr (Brilliant sir Dana). Dana is the name of old God, that is still used today in Transylvania.
If both external signs are identical to the occasionally vertical ragyogo (brilliant) hieroglyph, then we may read an old religious liturgy text invoking God as : Ragyogj ! Bél. Ragyogtál (Be brilliant! Bél. You were brilliant).
These three words are characterizing the three parts of the liturgy. In the first part people are evoking God, in the central part he appears and in the final part they say a good-bye. From other periods we know more parallelisms of similar God evoking liturgies. These parallelisms are composed of more signs and are more talkative, however these three parts can be easily recognized.
In Figure 2a the szár (stalk) sign linear form is in the readable sentence, the preparing person has used the vertical line, while in Figure 1 we can see the picturesque szár (stalk, sir) sign. In the Hungarian usage both forms are still remaining.
The picturesque form is more solemn, while the linear form is for every day usage due to time- and place-lacking.
Further text parallelisms
The authenticity of the two texts shown by Geneviève von Petzinger is proved by the fact, that further stone age hieroglyphic texts can be read thanks to Hungarian hieroglyphic writing. These texts can be found in Figures 3 – 6. In order to find a better description of the readings, one should click on the links related to the paper.
Figure 3. The lion man of Stadel grotto of Germany, with oblique lines – Ragyogj, ragyogtál (be brilliant, you were brilliant) hieroglyphs on his arm a sketch of God evoking liturgical text
Figure 4. A 38 000 years old figure of Geißenklösterle-grotto of Germany with Ragyogj, ragyog, ragyogtál (be brilliant, is brilliant, you were brilliant) word sign variations represents similarily a God evoking liturgical text
Figure 5a. The signs of evoking Marbella world tree of Spain read as Resurgent Dana be brilliant, brilliant ...) on the left, and on the right the Sicul writing signs « r » (ragyog "brilliant"), « d » (Dana) and « zs » (zsenge, zsendül, feltámad, újjászületik "resurgent, resurrected, risen from the dead")
Figure 5b. The photo of the stone age stone of Marbella shows the oblique lines on the right of Dana zsen (resurgent Dana) ligature Ragyog(j), ragyog(j), ragyog(j), ragyog(j) (be brilliant, brilliant, be brilliant, be brilliant, be brilliant, be brilliant, be brilliant, be brilliant)
Figure 6a. The reading of the signs of stone age mammoth sculture Ragyogó Lyukó Bél, in today’s Hungarian Ragyogó Lyukó fiùisten (Brilliant Lyukó son of God) (Following Christian Bentz and Ewa Dutkiewicz)
Figure 6b. The signs on the mammoths are formally identical with the Sicul signs, however on the animals there are no letters representing a sound, but there are hieroglyphs (word signs of old religious meaning)
This usage of hieroglyphic sign has not disappeared but was spread in big territories of Eurasia and America, and it was conserved in various periods. Changed, further developed, in their details and scarcely understood in the every day popular, dominant and religious sign use, and in the various writing- and sign-systems, for example on painted eggs, in the Sicul writing and in the Hungarian armorial bearings.
I should show you many further examples, but this enumeration should go beyond the purpose and the possibility of this paper.
Figure 7. The 7 500 years old cow sculture of Szentgyörgyvölgy hieroglyphs in the middle line szár, ten, sar(ok) és ég (stalk, ten, sir/corner and heaven) and below the corresponding Sicul signs « sz », « nt/tn », « s » and « g », that represent the four corner columns identical with God
Figure 9. Early bronz age idol from Tordas with the sentence Ragyogj nagyságos zsenge (Be brilliant magnificiant resurged)
The Hungarian word 'zsenge' in the inscription ('Ragyogj nagyságos zsenge') refers simultaneously to the tender shoot of the World Tree and the annually reborn young boy-god.
Figure 10. Hun fibula found in the rumanian site Sarata Monteoru in the middle the sentence written with word signs Ragyogj, ragyogj, ragyogj ős Ten nagyúr – in today’s Hungarian Ragyogj, ragyogj, ragyogj Isten nagyúr (Be brilliant, be brilliant, be brilliant God great sir), on the left the Hun great, stalk sir, ten, ancient word signs, on the right the corresponding Sicul « n » (nagy "great"), « sz » (szár "stalk, sir"), ten, ancestor and « r » (ragyog "brilliant") rune signs (photos)
Figure 12. The reading of the painted egg of Dobronak: Ragyogó Egy (Is)ten a szabirok öse (Brilliant Unique God, ancestor of the Sabirs)
Literature
Alison George (2016): A kőkori művészetben elrejtett kód lehet az emberi írás gyökere (The stone age hidden code of the art could be the root of human writing) (www.newscientist.com)
Christian Bentz - Ewa Dutkiewicz (2026): Az emberek 40 000 évvel ezelőtt kifejlesztettek egy hagyományos jelekből álló rendszert (pnas.org) (Men have developped 40 000 years ago a system composed of traditional signs) (pnas.org)
Genevieve von Petzinger (2015): Why are these 32 symbols found in ancient caves all over Europe? (Miért található ez a 32 szimbólum az ősi barlangokban Európa-szerte?) (video)
University of Victoria (2016): UV-barlangművészeti szakértő a 2016-os National Geographic Emerging Explorer nevet kapta (The UV-grotto artistic specialist has got the name of Natioal Geographic Emerging Explorer) (www.uvic.ca)
Varga Géza (2017): Magyar hieroglif írás (The Hungarian hieroglyph writing), Írástörténeti Kutatóintézet, Budapest
Varga Géza (2018): Indián-magyar jelpárhuzamokkal foglalkozó cikkek (Articles dealing with Indian-Hungarian sign parallelisms)
Varga Géza (2018): Az Éden szó rokona-e az edény szavunknak? (Is the Eden word relative to our vessel word?)
Varga Géza (2018): Nemetz Tibor matematikus rovológiai jelentőségű valószínűségszámítása (The probability computation of the mathematicien Nemetz Tibor of runes significance)
Varga Géza (2018): Kora-bronzkori idol Tordasról "Ragyogj nagyságos zsenge" mondattal (The Early Bronze Age idol from Tordas, bearing the inscription: 'Shine, magnificent scion')
Varga Géza (2019): A 7500 éves szentgyörgyvölgyi tehénszobor magyar hieroglifái (The Hungarian hieroglyphs of the 7 500 year old Szentgyörgyvölgy cow figurine)
Varga Géza (2020): Lyukó napisten nevének magyarázata egy kazahsztáni ogur-szabír jelvény segítségével (The explanation of the name of Lyukó sun god with the help of medal Kazahstan-Ogur-Sabir)
Varga Géza (2020): Tiszabezdéd Harangláb honfoglalás kori gyűrűjének hieroglifái (The hieroglyphs of the home-coming period ring of Tiszabezdéd Harangláb)
Varga Géza (2020): Egy paziriki szkíta csodalény hieroglifái (The hieroglyphs of a Scythian miraculous being)
Varga Géza (2021): A Genevieve von Petzinger által közölt európai barlangi jelek jó része azonos a székely jelekkel (The European grotto signs published by Geneviève von Petzinger are identical with the Sicul signs)
Varga Géza (2021): Genevieve von Petzinger a kőkori jelek jelentésváltozásáról (From the change in meaning of the stone age signs by Geneviève von Petzinger)
Varga Géza (2021): A zamárdi avar temető szíjvégének rovásfelirata (The rune inscription of the belt of Avar cemetery of Zamárdi)
Varga Géza (2021): A németországi Stadel-barlang 38-42 000 éves oroszlánemberének jelei (The signs of 38-42 000 years old lion-man of the German Stadel grotto)
Varga Géza (2021): A Sarata Monteoru lelőhelyen előkerült hun fibula a Ragyogj isteni nagyúr mondattal (The Hun fibula found in Sarata Monteoru site with the sentence Be brilliant God great sir)
Varga Géza (2024): A szár "úr" hieroglifa ősmagyar kori és őrségi népi előfordulásai (The szár «sir» hieroglyph in the old Hungarian period and in Őrség popular period)
Varga Géza (2024): Szabír ős mondatjel egy dobronaki hímes tojáson (An ancient Sabir sentence on a painted egg from Dobronak)
Varga Géza (2025): A marbellai Dana zsen ligatúra az istennel azonos világfát ábrázolja (The ligature renascent Dana of Marbella represents the world tree identical with God)
Varga Géza (2026): A németországi Geißenklösterle-barlang 38 000 éves figurájának jelei (The signs of the 38 000 years old figures of German Geißenklösterle grotto)
Varga Géza: Istenidéző szertartások szövegkönyve (Book of texts evoking God)
Varga Géza: Amerikai indián népi írásemlékek elolvasása a magyar hieroglif írás segítségével (Reading of the American Indian writing documents with the help of Hungarian hieroglyph writing)
